Delhi High Court upholds Saregama's rights to 134 songs, barring composer Ilaiyaraaja from licensing them

Image for Delhi High Court upholds Saregama's rights to 134 songs, barring composer Ilaiyaraaja from licensing them

Imagine composing 7,000+ songs across a 50-year career…

And being told you don't own 134 of your most iconic ones.

That's the reality Ilaiyaraaja just woke up to.

The Delhi High Court has upheld an injunction against the legendary composer — the man Indians call Isaignani, the "musical sage."

He can't license them.

He can't exploit them.

He can't even claim ownership.

Of his own melodies.


🎶 So who actually owns a song?

Here's the twist that stings every artist in India.

Under old film industry contracts, when a composer scored music for a movie…

the producer — not the composer — often walked away with the copyright.

And those rights? Frequently sold onward to labels like Saregama, India's oldest music company (yes, the same one behind Carvaan).

So when Ilaiyaraaja tried to license, monetise, or reclaim tracks from 134 iconic films

Saregama pulled out the paperwork.

And the court sided with the paperwork. 📜


⚖️ What the Delhi HC actually said

The interim ruling is brutal in its clarity:

  • 🚫 Ilaiyaraaja cannot exploit the disputed songs
  • 🚫 Cannot license them to anyone
  • 🚫 Cannot claim ownership
  • ✅ Saregama's copyright over the 134 films stands

The court noted that letting the composer use them could cause irreparable loss to the music company.

Translation: the melodies may live in his head…

but the rights live in Saregama's vault. 🔒


🥁 The bigger heartbreak

Think about the catalogue we're talking about.

Tracks from Olangal, Aa Rathri, and dozens of Tamil and Malayalam classics that shaped a generation.

Songs people grew up on.

Songs weddings were built around.

Songs that still stream millions of times a month.

And the man whose fingers wrote them?

Legally locked out.


💡 Why this matters far beyond one composer

This isn't just an Ilaiyaraaja story.

It's a mirror held up to the entire Indian music industry.

👉 Composers create.

👉 Labels own.

👉 Streaming pays whoever holds the paper.

A.R. Rahman, Ilaiyaraaja, and countless younger artists have all rattled these same bars over the years.

And every ruling like this hardens the wall.


🎯 The uncomfortable truth

In the AI era, we obsess over who creates the art.

But the money — and the power — still sits with whoever owns it on paper.

Ilaiyaraaja composed the soundtrack of South India.

Saregama holds the receipts.

And today, the court reminded everyone which one wins in a courtroom.

That's all for now!