Springsteen Revives Edwin Starr's "War" with Renewed Focus on Domestic Strife

Image for Springsteen Revives Edwin Starr's "War" with Renewed Focus on Domestic Strife

Bruce Springsteen has recently reignited the powerful anti-war anthem "War," originally popularized by Edwin Starr, by making it the opening number of his "Land of Hope and Dreams" American Tour. This strategic choice, marking the song's first appearance with the E Street Band in over two decades, underscores a contemporary interpretation that aligns with Starr's original, broader message beyond international conflict.

The decision to open with "War" at the March 31 concert in Minneapolis, and subsequent shows, comes with a pointed preamble from Springsteen. He urged the audience to "join with us in choosing hope over fear, democracy over authoritarianism, the rule of law over lawlessness, ethics over unbridled corruption, resistance over complacency, unity over division, and peace over war." This statement positions the song as a protest against current political and social divisions within America.

The tweet from "That One Lyric Podcast" highlights the often-overlooked original intent behind the song: > "56 years later, Springsteen knew exactly what he was doing by kicking off each show with 'War,' a song it’s gritty singer Edwin Starr clarified, 'The song was never about the Vietnam War...It was about the neighborhood wars and the racial wars...inside America.'" Edwin Starr's 1970 rendition, which became a number one hit, was a powerful protest against conflict in all its forms, emphasizing societal struggles.

While "War" gained prominence during the Vietnam War era, Starr consistently clarified that its message extended to internal conflicts. He articulated that the song addressed "the neighborhood wars and the racial wars...inside America," a sentiment that resonates strongly with Springsteen's current tour narrative. Springsteen's performances, often featuring Tom Morello on guitar, have been described as fiery renditions that transition seamlessly into other politically charged songs like "Born in the U.S.A." and "Streets of Minneapolis," a new protest song addressing recent events.

Springsteen's revival of "War" serves as a potent reminder of the song's enduring relevance, shifting the spotlight from geopolitical battles to the ongoing "wars" within society. His explicit commentary and the song's placement in the setlist underscore a deliberate effort to connect the classic anthem to contemporary issues of division, inequality, and the fight for American ideals.